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In focus: the 1686 'Helvetica' Stradivari | Focus | The Strad
In focus: the 1686 'Helvetica' Stradivari | Focus | The Strad

Violin without sides"
Violin without sides"

From the Archive: 1911 violin by Giuseppe Fiorini | Gallery | The Strad
From the Archive: 1911 violin by Giuseppe Fiorini | Gallery | The Strad

T. E. Hesketh Violin early 20th C | Reverb
T. E. Hesketh Violin early 20th C | Reverb

Copy of the 'Chanot-Chardon' Stradivarius
Copy of the 'Chanot-Chardon' Stradivarius

Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle  ressources
Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle ressources

Sandor Nagy | Tarisio
Sandor Nagy | Tarisio

Joseph Bassot, Paris, c.1795 – Reuning & Son Violins
Joseph Bassot, Paris, c.1795 – Reuning & Son Violins

From the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri | Focus |  The Strad
From the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri | Focus | The Strad

Antonio Stradivari, 1726, the 'Guitar Strad, Braga, Chanot-Chardon'
Antonio Stradivari, 1726, the 'Guitar Strad, Braga, Chanot-Chardon'

English Double Bass by John Thomas Hart, London circa 1850 – Review – The  Contrabass Shoppe
English Double Bass by John Thomas Hart, London circa 1850 – Review – The Contrabass Shoppe

George Chanot junior, excellent violon anglais, Londres
George Chanot junior, excellent violon anglais, Londres

Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle  ressources
Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle ressources

ANTONIO STRADIVARI, THE 'HELLIER' VIOLIN
ANTONIO STRADIVARI, THE 'HELLIER' VIOLIN

Violin-making, as it was and is : being a historical, theoretical, and  practical treatise on the science and art of violin-making, for the use of  violin makers and players, amateur and professional .
Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional .

Copy of the 'Chanot-Chardon' Stradivarius
Copy of the 'Chanot-Chardon' Stradivarius

Violin by George Chanot, Paris circa. 1840 - Photography
Violin by George Chanot, Paris circa. 1840 - Photography

The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday
The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

Talking heads: 'Bergonzi definitely did not mean to make Stradivaris' |  Focus | The Strad
Talking heads: 'Bergonzi definitely did not mean to make Stradivaris' | Focus | The Strad

Proantic: Mute Violin By Chanot & Chardon
Proantic: Mute Violin By Chanot & Chardon

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello | Focus | The  Strad
In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello | Focus | The Strad

Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle  ressources
Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle ressources

Copy of the 'Chanot-Chardon' Stradivarius
Copy of the 'Chanot-Chardon' Stradivarius

Scroll volute hi-res stock photography and images - Page 2 - Alamy
Scroll volute hi-res stock photography and images - Page 2 - Alamy

Proantic: Mute Violin By Chanot & Chardon
Proantic: Mute Violin By Chanot & Chardon